Piccadilly Circus at Midday
£140
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Large format on 300gsm archival paper
Gallery-quality on 300gsm archival paper
Perfect starter size on archival paper
Premium linen-finish with white envelope
Cork-backed, wipe-clean, gift-boxed
Strong magnet, vivid glossy print
Scratch-resistant acrylic with silver ring
Original sold. Prints, cards and gifts are still available — choose a format below. Enquire about a commission.
The South Bank in autumn is London at its most generous. The trees lining the walkway turn gold and orange and red, creating this canopy of color that makes you slow down, even if you're late, even if you're cold.
This painting captures one of those perfect October afternoons when the light is warm and the air is crisp and the city feels less like a million people in a hurry and more like a place where it's okay to just walk for a while.
The Thames is just out of frame, but you can feel it – that particular openness you get near water. People cycle past. Others stroll. The lamp posts stand elegant and Victorian, a reminder that London's been planting trees along this riverbank for longer than any of us have been alive.
What I love about the South Bank is how democratic it feels. No gates. No admission fees. Just a path along the river where anyone can walk and watch the light change and the leaves fall and the city keep moving without requiring anything from you except maybe to notice it's beautiful.
Autumn never lasts long enough in London. This painting is my way of holding onto it a little longer.
The South Bank in autumn is London at its most generous. The trees lining the walkway turn gold and orange and red, creating this canopy of color that makes you slow down, even if you're late, even if you're cold.
This painting captures one of those perfect October afternoons when the light is warm and the air is crisp and the city feels less like a million people in a hurry and more like a place where it's okay to just walk for a while.
The Thames is just out of frame, but you can feel it – that particular openness you get near water. People cycle past. Others stroll. The lamp posts stand elegant and Victorian, a reminder that London's been planting trees along this riverbank for longer than any of us have been alive.
What I love about the South Bank is how democratic it feels. No gates. No admission fees. Just a path along the river where anyone can walk and watch the light change and the leaves fall and the city keep moving without requiring anything from you except maybe to notice it's beautiful.
Autumn never lasts long enough in London. This painting is my way of holding onto it a little longer.
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